Howling III (1987)

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Directed by: Philippe Mora

Stars: Barry Otto, Max Fairchild, Imogen Annesley

Language: English + Commentary (2nd track) | Subtitles: English (embed)

Commentary With Writer/Director Philippe Mora, Moderated By Filmmaker Jamie Blanks

Country: Australia | Imdb Info | Ar: 1.85:1 | Brrip

Description: A female werewolf runs away from her family, and falls in love with a man who works in the movie business, while a sociologist who studies these creatures is looking for proof of their existence.

Preview
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8.45GB | 98:09mins | 1920×1036 | mkv | English | Sub: English
https://tezfiles.com/file/8efb21ec4d3fe/Howling.III.1987.mkv

 

=======bluray extras=======

2019 interview with writer/director Philippe Mora
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121MB | 27:22mins | 720×576 | mkv | English
https://tezfiles.com/file/dd062b3bace83/HowlingIII.Philippe.Mora.mkv

 

Vintage Interviews from “Not Quite Hollywood” with writer/director Philippe Mora and effects supervisor Bob McCarron
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75MB | 18:55mins | 720×576 | mkv | English
https://tezfiles.com/file/720de988f2aee/HowlingIII.Vintage.Interviews.mkv

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One Response to Howling III (1987)

  1. Fantômas says:

    Originally titled “Howling III: The Marsupials”, this is probably the worst movie in the franchise, though the second is more spectacularly (and hilariously) terrible, and the fourth is just plain forgettable. Apparently director Phillippe Mora, inexplicably not fired after directing the ludicrously misjudged “Howling II: Your Sister is a Werewolf”, felt that a complete change of pace was needed, and decided to ditch almost all the horror and make a wacky romcom that happened to be about werewolves.

    Consequently there’s hardly any of the gore the franchise’s target audience were presumably expecting, and the comedy doesn’t work either, unless you find the concept of werewolf nuns and ballerinas so hilarious that no actual jokes are needed. Though there’s plenty of romance if you like that sort of thing.

    You could perhaps amuse yourself during the long, boring intervals between the few vaguely interesting scenes by trying to decide whether, wolves not being marsupials, this technically qualifies as a werewolf film at all. I suppose werewallabies would have been too silly even for Phillippe Mora, or more likely too expensive, since he went on to direct “Pterodactyl Woman of Beverley Hills”, but at least they might have provided some genuine laughs.

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