Husbands and Lovers (1991)

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Directed by: Mauro Bolognini

Stars: Julian Sands, Joanna Pacula, Tchéky Karyo

Language: English

Country: Italy | Imdb Info | Ar: 3:2 | Dvdrip

Also known as: La villa del venerdì

Description: A scriptwriter working in Rome becomes distraught over his beauteous wife and the “arrangement” they have when she discovers S&M with her longtime pianist lover.

Preview
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1.48GB | 94:52mins | 720×576 | mkv
https://tezfiles.com/file/d6d2e48058cb0/Husbands.and.Lovers.1991.mkv

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5 Responses to Husbands and Lovers (1991)

  1. 6102grover says:

    Thanks for sharing.

  2. Robbytag says:

    nice movie . Nice sex scenes

  3. Tony says:

    Really cool upload. Sands was doing lots of this kind of stuff at the time. He is still missing at the time I write this, after disappearing on a hike. So sad.

    • temnix says:

      He is dead, of course. But who knows what happened? He might have ventured into the storm on purpose. I still can’t believe he’s gone, but then, I am used to seeing him in these glorious pictures as a young and vigorous man. He was, of course, old when he disappeared. And that is how it ends up being the way it is: if you express regret over someone’s death, you cheapen his memory, but if you don’t, you are a stuck with a mute incomprehension. That is how progression of time leaves me – dumbfounded. That is not even grief, more like despair. Sands had one of his outstanding roles in “The Sun Shines at Night,” and it is about time and loss towards the end. But the scene with the song sung by Nastasja Kinski’s character near beginning is the highlight and the pinnacle of earthly joy from which the rest of the story descends… It doesn’t help saying “RIP, RIP.” Stupid nonsense.

      • Mr.G. says:

        Yeah, came here after he was found yesterday (after 5 months!). BBC: “…magnetic presence on screen …free-spirited actor whose career started with a kiss [to Helena Bonham-Carter]”. Now acting and real-life can be different things, e.g. Harrison Ford is no Indy at 80, but we like to think of them as such, they’re a projection of ourselves when we saw the film back then, it’s a legacy of a part of us. Bonham-Carter, wow.

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