Directed by: Ridley Scott
Stars: Harrison Ford, Rutger Hauer, Sean Young
Language: English, French, German, Italian, Spanish (5tracks + Commentaries (3tracks) | Subtitles: English (embed)
commentary by director Ridley Scott
commentary by executive producer/co-screenwriter Hampton Fancher, co-screenwriter David Peoples, producer Michael Deeley and production executive Katherine Haber
commentary by visual futurist Syd Mead, production designer Lawrence G. Paull, art director David L. Snyder and special photographic effects supervisors Douglas Trumball, Richard Yuricich and David Dryer
Country: Usa | Imdb Info | Ar: 2.40:1 | Brrip
Description: A blade runner must pursue and terminate four replicants who stole a ship in space and have returned to Earth to find their creator.
3.51GB | 117:36mins | 1920×800 | mkv | English, French, German, Italian, Spanish (5tracks) | Sub: English
https://tezfiles.com/file/827143e650a6c/Blade.Runner.1982.Final.Cut.mkv
====bluray extras====
2.77GB | 117:16mins | 1918×800 | mkv | English, French (2tracks) | Sub: English
https://tezfiles.com/file/39743a4a09533/Blade.Runner.1982.US.theatrical.mkv
International theatrical version

2.78GB | 117:25mins | 1916×800 | mkv | English, French (2tracks) | Sub: English
https://tezfiles.com/file/4da1464203ac6/Blade.Runner.1982.International.theatrical.mkv
2.81GB | 116:34mins | 1920×800 | mkv | English, French (2tracks) | Sub: English
https://tezfiles.com/file/89058cda96add/Blade.Runner.1982.Directors.Cut.mkv
2.43GB | 110:05mins | 1920×1080 | mkv | English | Sub: English
https://tezfiles.com/file/6552249e387d0/Blade.Runner.1982.Workprint.mkv
Dangerous Days: Making Blade Runner” documentary

1.69GB | 214:23mins | 720×400 | mkv | English | Sub: English
https://tezfiles.com/file/469c272a71b56/Making.Blade.Runner.documentary.mkv





A cult classic . Appreciated by all Directors as one of the best movie of Ridley Scott. Thanks for sharing all the versions
Thank you for sharing.
Hello, thank you very much for another magnificent proposition!
Versions are also detailed here :
https://www.imdb.com/title/tt0083658/alternateversions/?tab=cz&ref_=tt_dyk_alt
(I don’t know whether what’s written there is accurate or complete.)
Thank you very much for these versions.
On director’s cut : French version is the Canadian one (and not the one from France).
few compares
https://www.movie-censorship.com/report.php?ID=774077
https://www.movie-censorship.com/report.php?ID=37360
https://www.movie-censorship.com/report.php?ID=4589
Great insight, thanks! btw, in 2020 ARTE released nice documentary “Blade Runner: Au-delà de la Fiction” which shows LA footage in 2019 hauntingly similar to the film! This can be found on a lesser definition w/Spanish subs here:
https://www.youtube.com/watch?v=gV18CRNs0ec
Please, in which version can you see the transparent bra and the nipple of Rachael?
Confused with No Way Out/1987 and no bra so to speak. So the question hanging in the air is whether Robin Wright is better than Sean Young in the 2017 sequel. Leave it up to RL to resolve…
The scene with Sean Young in a transparent bra exists in Blade Runner, I have seen it, but as far as I have been able to find out till now, it is found as a deleted scene in the extras.
Is latin spanish?
Spanish (Castilian) Dolby Digital 5.1
Well, well, the making-of references Heavy Metal (the mag turned movie) as an influence. Universally appreciated now!
Now, back in the day the film had disastrous screenings in Denver and Dallas, audiences were expecting a Star Wars/Raiders of the Lost Ark kind of Harrison Ford causing Scott to make some changes, adding the controversial narration and upbeat ending, therefore all the various versions added by RL. But the film goes far beyond this kind of audiences: “Like Deckard, we learn to respect life, and we are sad when the lives of the replicants are snuffed out … along with their (fake and real) memories. Scott properly treats their deaths with respect and gives them dignity. […] one can better appreciate the sorrowful moments after battle, when we contemplate the unfair lives to which Tyrell sentenced the replicants. No humans on this earth would do it for their own, but Batty kisses the dead Pris on the lips and uses his tongue to push hers back into her mouth so her beauty is restored” – Danny Peary Cult Movies. Thanks RL!
WE F*CKING LOVE YA, SIR.
WE. F*CKING. LOVE. YA.
Wow. You know an update is going to be good when you get all the versions of Blade Runner. I’m curious as to what people’s faves are. I still love the theatrical because it was the first videotape I ever rented. Think there aren’t many differences except a few shots and the lack or narration. Not sure I’ve ever listened to a BD commentary, so will go there first. Such a masterpiece. Thanks RL.
I’m not real picky on versions myself unless it changes a big storyline in a movie, so I’ll go with the theatrical too.
Yes, and the original theatrical is usually the purest that most people have seen.
That only applies if you watched it in the 80s.
In 1992, the theatrical cut VHS release was permanently pulled from circulation for the first of several director’s cuts that were a hybrid of the international cut and the work print. The main changes included the removal of the narration Ford did for the theatrical cut, the theatrical cut’s happy ending, and the addition of the now infamous unicorn dream sequence which stealth retcons Ford being a robot too (something Ridley Scott was kept from outright stating in the film due to the studio wanting Declared to be human). For a lot of people, this was THEIR version of Blade Runner.
If you watched the film for the first time in the 90s, this version was the only version available. And it ironically led to the theatrical cut VHS being highly sought after amongst scifi fans due to its reputation and it having an alternate ending/urban legend that the narrations Ford recorded containing a lot of interesting world building lore about the setting of the story that fleshes out the film.
It wasn’t until the mid-2000s, Ridley had gained enough clout to finally get to reedit the entire film from scratch to create his definitive version, as Warner Bros has kept Scott from doing a rip to bottom recut like a Scott wanted.
So each generation has their own cut of the film